Choosing your medium

Finding the right medium to color with can be overwhelming at first. There are several types that work well with coloring books like mine. Below you'll find a description of each. I'll also go over some the basics of working with it and give it a rating.

Colored Pencils 

This is probably my favorite medium. Good colored pencils however can get very pricey. There are many low-quality sets you can buy if you're just starting out, but if you think you're going to do this a lot, I'd consider investing in a high-quality set as the colors are just so much better. Colored pencils are easy to use and to blend colors together. Gradients are effortless with this medium. There are two styles with these, one just lays the colors down, slightly overlapping two colors to create a gradient, using layers to build up the color.  The other uses a burnisher, which is just a colorless pencil to push the color into the paper. This technique makes the colors a little more vibrant, helps obscure the paper color and helps with blending the colors. These work well on most papers, but I prefer a lightweight Bristol Vellum best.

Alcohol Markers 

If you love vibrant colors, markers are the way to go. I find them very bright and fun to use. It's fairly easy to get good blends between colors with these with just a bit of practice. This medium takes a bit more money to start with compared to acrylics, but they are so much nicer to color with. There are a lot of decent brands out there with a wide variety of colors in most sets. Because these are alcohol based, alcohol blenders or a soaked Q-Tip in rubbing alcohol can help dilute it enough to hide by the next color you choose to apply. If you do though you can't beat them. I love to use these on either marker specific paper or a heavy cardstock.

Acrylic Markers 

If you love vibrant colors, markers are the way to go. I find them very bright and fun to use, but a little unforgiving. It's much harder to get good blends between colors with these but, it is possible with practice. This is also one of the cheapest mediums to start with. There are a lot of decent brands out there with a wide variety of colors in most sets. There is no erasing them though, if you don't have a steady hand, pics can get sloppy real fast. If you do though you can't beat them. I love to use these on either marker specific paper or a heavy cardstock. There are a variety of types from normal to paint level. They come in flat, metallic and glitter versions. I suggest staying away from those labeled as paint markers because they are thicker, less forgiving and will color over your black lines.

Oil Pastels

I’ve recently started experimenting with this medium, and it’s been so enjoyable. If you’re drawn to a mixture of soft, subtle tones of pastels and bold, vibrant hues, this might be the perfect choice for you. These have a feel more like crayons with the precision of a pencil. They are made with a combination of wax and mineral oils. They are soft and easily blended. For these, blending is similar to colored pencils, you can use a colorless pencil or blender to push the oils into the paper and mix colors together. This medium works well on most papers. It's available in pencil or stick form.

Chalk Pastels

I recently started working with these and they are a lot of fun. If you prefer the look of pastels to vibrant colors, this medium might be for you. They are a little messy but it's minimal. The trick is to always put your hand on a tissue, so it doesn't get all over your hand and then mess up your picture with chalk transfer. To blend it and push it into the paper a bit you can use a tortillon, Q-Tip's or what I discovered that works great was a silicon clay shaper, just a rounded one with the pointy tip. This medium works well on most papers. You will also want a to do a spray fixative when done with these as they will continue to have dust transfer if you don't. It's available in pencil or stick form.

Watercolors

This is an interesting medium to use on coloring books. It's definitely best on thicker papers or watercolor paper only.  I recommend staying with one shade per cell and just working the intensity up by layering to get different effects. It takes a little more patience, but it can be worth it. I recommend using a small brush and rubbing it against the time of pencils to transfer paint and then use that to apply color to the paper. I find the pencils a bit hard to smooth out but if you're a master at it, don't listen to me! It's available in pencil, palette or tube form.